Found on A Magazine's blog A Blog Curated By, the Givenchy Fall Winter 2010 invitation by M/M (Paris). As an aside, I've never been able to wade through M/M Paris' website ... has anyone?
02 April 2010
THE WALLACE COLLECTION

It's nice when a place like the Wallace Collection exists, allowing a rococo fix without having to have any in the home -- a little rococo goes a long way. Being a particular fan of 17th, 18th and 19th century still life and decorative arts, I recently visited the Wallace Collection, a donation-supported (no entry fee) museum near Oxford Street in London. Collected between c. 1760 and 1880, it is the family collection of the first four Marquesses of Hertford and of Sir Richard Wallace, son of the 4th Marquess, and is now displayed in the main townhouse of former owners, Sir Richard and Lady Wallace. The house has been a museum since 1900, Lady Wallace gave the location and it's contents to Britain in 1897.
The most important thing is that there are dozens of Dutch and French School still life on display, and in addition to the usual intricately inlaid wood hutches, needlepoint sofas, etc. the Wallace's decorative arts include several original and fully operational clocks (chiming the hour, quarter and half hours) and chandeliers. If you are into this sort of thing then you know most museums don't typically have their pieces in working order, so the Wallace Collection is especially fabulous. Obviously being in love with the 18th and 19th centuries I recommend watching the Duchess, Mrs. Brown, Valmont, or Marie Antoinette before or after visiting the Wallace Collection, for the full effect. Also on the first floor, if you're into pre-18th century, there is an astounding collection of armor and swords from the Middle Ages, complete with centuries-old joust marks on some.
The most important thing is that there are dozens of Dutch and French School still life on display, and in addition to the usual intricately inlaid wood hutches, needlepoint sofas, etc. the Wallace's decorative arts include several original and fully operational clocks (chiming the hour, quarter and half hours) and chandeliers. If you are into this sort of thing then you know most museums don't typically have their pieces in working order, so the Wallace Collection is especially fabulous. Obviously being in love with the 18th and 19th centuries I recommend watching the Duchess, Mrs. Brown, Valmont, or Marie Antoinette before or after visiting the Wallace Collection, for the full effect. Also on the first floor, if you're into pre-18th century, there is an astounding collection of armor and swords from the Middle Ages, complete with centuries-old joust marks on some.
Labels:
ART,
DECORATIVE ARTS,
FURNITURE,
INTERIOR DESIGN
CAXTON HOUSE
My great-grandfather Gilbert Carr lived in London, and was particularly active during the 1940s and 50s. I'm not sure if he was English or not, his children were born in Boston and my grandmother lived in San Francisco most of her life, where my mother was born. Since my mother is now gone, I can't ask her about Gilbert Carr, and there are no other surviving relatives on that side of the family of whom I'm aware. I knew Gilbert Carr was involved with the Ambulance in London during WWII so I Googled Gilbert H. Carr and found that he also was part of the Caxton House in Islington during the 1950s. I downloaded their pamphlet from 1952, and interestingly this style of graphic design is popular today.
Labels:
FAMILY HISTORY,
GRAPHIC DESIGN
20 March 2010
16 March 2010
14 March 2010
ALMOST THERE
While apples and pears may technically be autumnal, their colors feel more like spring. I've been making apple and pear crisp on the regular these past few weeks ... there's something about it for breakfast, with a bit of yogurt on top, that is so delicious. Savoring the last days of winter, I suppose.
Labels:
SEASONS
12 March 2010
MY FAVORITE PASTIME
— Cornelia Otis Skinner, Elegant Wits and Grand Horizontals, 1962
Labels:
QUOTES
07 March 2010
PIE PAPER
Loving this theme-based New Zealand newsprint quarterly called Pie. The above images are from their Repetition issue. Their first issue, the Circle, features lots of circles in one place. Both issues are viewable on their site, or by mail order.
Labels:
GRAPHIC DESIGN,
PHOTOGRAPHY,
PUBLISHING
06 March 2010
DAVID CARSON
Remember him? At one time so prevalent, and now so incredibly foreign.
Labels:
ART DIRECTION,
GRAPHIC DESIGN,
POSTER DESIGN
LATEST CRUSH: JI LEE


Born in Korea, raised in Brazil and now based in NYC, creative director Ji Lee makes work in his spare time that is fun and clever.
Labels:
3D,
ART,
ILLUSTRATION,
INDUSTRIAL DESIGN
SARAH ILLENBERGER



Born in Munich and operating out of Berlin, mixed media 3D illustrator Sarah Illengerber makes so much great stuff it's impossible to keep track. Visit her website right now and be amazed. According to her site, she attended Central St. Martins (as well as previous post subject Nina Saunders), which makes me feel all warm, fuzzy, etc.
Labels:
3D,
ILLUSTRATION
NINA SAUNDERS


Danish sculptor Nina Saunders, who lives and works in London, makes insane melting furniture. In the top image, she has teamed with shoemaker Tracey Neuls and textile manufacturer Sanderson in honor of Sanderson's 150th anniversary, which also happens to coincide with London fashion week. The installation, titled "Most Curious", is presented in Tracey's store TN29 at 29 Marylebone Lane, and runs through 30th June 2010. The black melting armchair is from Nina's website.
05 March 2010
DESKS

I am collecting pictures of desks. Send me yours!
Labels:
DESK PROJECT,
PHOTOGRAPHY
22 February 2010
21 February 2010
SPRING



One more month until March equinox. Hurry, hurry.
Labels:
ART,
ILLUSTRATION,
LONDON,
MOOD BOARD,
PHOTOGRAPHY,
SEASONS
17 February 2010
16 February 2010
STOCKHOLM DESIGN WEEK
Just returned home from Stockholm where I participated in Design Week with fellow artist & designer Melissa Gamwell as part of Designboom Mart. Melissa had her fabulous biography vase on offer, while I had hand screen printed organic cotton tote bags and my new book of drawings, both available from New Garde, for sale. Everyone we met was really awesome and we can't wait to go back to sthlm asap.
Labels:
EVENTS,
GRAPHIC DESIGN,
INDUSTRIAL DESIGN,
TRAVEL
04 February 2010
♢♦♢♦♢♦

Hanging around the screen printing studio screening organic cotton tote bags for Stockholm's design week. "I ♦ YOU" and "I ♦ SOMETHING" bags in the works to correspond with my new book of pen and brush drawings, published by New Garde, and risograph printed by ManyMono.
Labels:
EVENTS,
GRAPHIC DESIGN
03 February 2010
23 January 2010
JOSEPH HART

With a very slight tinge of Cy Twombly (minus the calligraphy) come these paintings by American artist Joseph Hart. One of these would go nicely next to a Martin Kippenberger poster.
Labels:
ART
20 January 2010
DIY CHANDELIER
Inspiring artwork as well as inspiring selflessness: lighting designers Jeanne Pelle (top) and Lindsey Adelman (bottom) each make seriously fantastic fixtures while also including internet tutorials on how to make one yourself at a fraction of the cost. Both chandeliers are so gorgeous I have no idea which one to make first.
(Jeanne Pelle's tutorial is found on Ready Made's site, Adelman's on her own page, link above.)
Labels:
DIY,
INDUSTRIAL DESIGN
WE LOVE WOOD
Labels:
3D,
ART DIRECTION,
BRANDING,
NATURE,
PACKAGING,
PRODUCT DESIGN
AN EVENING WITH DUKE PRESS
Last night at Cafe Oto in Dalston, the Duke Press launch party/exhibition. Great little collection of what sort of blurs the line between book and zine. Handbound, very nice. Photo from Duke Press' flickr page.
Labels:
BOOK DESIGN,
EVENTS,
LONDON,
PUBLISHING
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